This Military Service Page was created/owned by
SSgt Robert Bruce McClelland, Jr.
to remember
Bither, Waldo James, Sr., Maj USAF(Ret).
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Contact Info
Home Town Houlton, Maine
Last Address Fort Worth, Texas
Date of Passing Feb 25, 1988
Location of Interment Greenwood Memorial Park and Mausoleum - Ft Worth, Texas
He was the bombardier in crew #12 on the Doolittle Raid. After the raid he was commissioned and went on to serve as a maintenance officer in the USAAF and USAF at bases in the US, Europe, and Japan until he retired Jan 31, 1954.
His DFC citation: Awarded for actions during World War II
The President of the United States of America, authorized by Act of Congress, July 2, 1926, takes pleasure in presenting the Distinguished Flying Cross to Sergeant Waldo J. Bither (ASN: 6101457), United States Army Air Forces, for extraordinary achievement as Bombardier of a B-25 Bomber of the 1st Special Aviation Project (Doolittle Raider Force), while participating in a highly destructive raid on the Japanese mainland on 18 April 1942. Sergeant Bither with 79 other officers and enlisted men volunteered for this mission knowing full well that the chances of survival were extremely remote, and executed his part in it with great skill and daring. This achievement reflects high credit on himself and the military service. Action Date: April 18, 1942
Division: Doolittle Tokyo Raider Force Crew #12 (Plane #40-2278, "Fickle Finger of Fate", target Yokohama): 37th Bomb Sq. L-R: Lt. William R. Pound Jr., navigator; Lt. William M. Bower, pilot; SSgt. Omer A. Duquette, flight engineer/gunner; Lt. Thadd H. Blanton, copilot; TSgt. Waldo J. Bither, bombardier. (U.S. Air Force photo)
World War II/European-African-Middle Eastern Theater
From Month/Year
December / 1941
To Month/Year
May / 1945
Description The European-Mediterranean-Middle East Theater was a major theater of operations during the Second World War (between December 7, 1941, and March 2, 1946). The vast size of Europe, Mediterranean and Middle East theatre saw interconnected naval, land, and air campaigns fought for control of the Mediterranean, North Africa, the Horn of Africa, the Middle East, and Europe. The fighting in this theatre lasted from 10 June 1940, when Italy entered the war on the side of Germany, until 2 May 1945 when all Axis forces in Italy surrendered. However, fighting would continue in Greece – where British troops had been dispatched to aid the Greek government – during the early stages of the Greek Civil War.
The British referred to this theatre as the Mediterranean and Middle East Theatre (so called due to the location of the fighting and the name of the headquarters that controlled the initial fighting: Middle East Command) while the Americans called the theatre of operations the Mediterranean Theatre of War. The German official history of the fighting is dubbed 'The Mediterranean, South-East Europe, and North Africa 1939–1942'. Regardless of the size of the theatre, the various campaigns were not seen as neatly separated areas of operations but part of one vast theatre of war.
Fascist Italy aimed to carve out a new Roman Empire, while British forces aimed initially to retain the status quo. Italy launched various attacks around the Mediterranean, which were largely unsuccessful. With the introduction of German forces, Yugoslavia and Greece were overrun. Allied and Axis forces engaged in back and forth fighting across North Africa, with Axis interference in the Middle East causing fighting to spread there. With confidence high from early gains, German forces planned elaborate attacks to be launched to capture the Middle East and then to possibly attack the southern border of the Soviet Union. However, following three years of fighting, Axis forces were defeated in North Africa and their interference in the Middle East was halted. Allied forces then commenced an invasion of Southern Europe, resulting in the Italians switching sides and deposing Mussolini. A prolonged battle for Italy took place, and as the strategic situation changed in southeast Europe, British troops returned to Greece.
The theatre of war, the longest during the Second World War, resulted in the destruction of the Italian Empire and altered the strategic position of Germany resulting in numerous German divisions being deployed to Africa and Italy and total losses (including those captured upon final surrender) being over half a million. Italian losses, in the theatre, amount to around to 177,000 men with a further several hundred thousand captured during the process of the various campaigns. British losses amount to over 300,000 men killed, wounded, or captured, and total American losses in the region amounted to 130,000.