This Military Service Page was created/owned by
SSgt Robert Bruce McClelland, Jr.
to remember
Johnson, Gerald Walter, Lt Gen USAF(Ret).
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Contact Info
Home Town Owenton, Kentucky
Last Address Saint Petersburg, Florida
Date of Passing Sep 09, 2002
Location of Interment Arlington National Cemetery (VLM) - Arlington, Virginia
He destroyed 16.5 enemy aircraft in aerial combat before he was shot down and became a POW in France Mar 27, 1944. He later had a distinguished career in the USAF.
His DSC citation: Awarded for actions during World War II
(Citation Needed) - SYNOPSIS: Captain (Air Corps) Gerald W. Johnson (ASN: 0-659306), United States Army Air Forces, was awarded the Distinguished Service Cross for extraordinary heroism in connection with military operations against an armed enemy while serving as Pilot of a P-47 Fighter Airplane in the 61st Fighter Squadron, 56th Fighter Group, EIGHTH Air Force, in aerial combat against enemy forces on 17 August 1943, in the European Theater of Operations On this date, Captain Johnson shot down two enemy aircraft and assisted in the destruction of a third. Captain Johnson's unquestionable valor in aerial combat is in keeping with the highest traditions of the military service and reflects great credit upon himself, the 8th Air Force, and the United States Army Air Forces.
General Orders: Headquarters, European Theater of Operations, U.S. Army, General Orders No. 83 (1943)
World War II/European-African-Middle Eastern Theater
From Month/Year
December / 1941
To Month/Year
May / 1945
Description The European-Mediterranean-Middle East Theater was a major theater of operations during the Second World War (between December 7, 1941, and March 2, 1946). The vast size of Europe, Mediterranean and Middle East theatre saw interconnected naval, land, and air campaigns fought for control of the Mediterranean, North Africa, the Horn of Africa, the Middle East, and Europe. The fighting in this theatre lasted from 10 June 1940, when Italy entered the war on the side of Germany, until 2 May 1945 when all Axis forces in Italy surrendered. However, fighting would continue in Greece – where British troops had been dispatched to aid the Greek government – during the early stages of the Greek Civil War.
The British referred to this theatre as the Mediterranean and Middle East Theatre (so called due to the location of the fighting and the name of the headquarters that controlled the initial fighting: Middle East Command) while the Americans called the theatre of operations the Mediterranean Theatre of War. The German official history of the fighting is dubbed 'The Mediterranean, South-East Europe, and North Africa 1939–1942'. Regardless of the size of the theatre, the various campaigns were not seen as neatly separated areas of operations but part of one vast theatre of war.
Fascist Italy aimed to carve out a new Roman Empire, while British forces aimed initially to retain the status quo. Italy launched various attacks around the Mediterranean, which were largely unsuccessful. With the introduction of German forces, Yugoslavia and Greece were overrun. Allied and Axis forces engaged in back and forth fighting across North Africa, with Axis interference in the Middle East causing fighting to spread there. With confidence high from early gains, German forces planned elaborate attacks to be launched to capture the Middle East and then to possibly attack the southern border of the Soviet Union. However, following three years of fighting, Axis forces were defeated in North Africa and their interference in the Middle East was halted. Allied forces then commenced an invasion of Southern Europe, resulting in the Italians switching sides and deposing Mussolini. A prolonged battle for Italy took place, and as the strategic situation changed in southeast Europe, British troops returned to Greece.
The theatre of war, the longest during the Second World War, resulted in the destruction of the Italian Empire and altered the strategic position of Germany resulting in numerous German divisions being deployed to Africa and Italy and total losses (including those captured upon final surrender) being over half a million. Italian losses, in the theatre, amount to around to 177,000 men with a further several hundred thousand captured during the process of the various campaigns. British losses amount to over 300,000 men killed, wounded, or captured, and total American losses in the region amounted to 130,000.